Co-founded by Nancy Costello and Tomislav Latinovic
A continuing interdisciplinary project exploring queer connection, access, and collective expression through sound, movement, and performance. Each iteration reimagines these core values in new forms
— from workshops to live events, publication to film —
led by a growing network of collaborators.
Tomislav Latinovic
Co-Founder, Project Lead & Facilitator
Tomislav is a London-based artist working across film, movement, and community-led performance.
Tomislav leads on VOICING’s artistic direction and facilitation, with a focus on intergenerational connection and queer embodiment.
Nancy Costello
Co-Founder, Choir Facilitator & Composer
Nancy is a musician, care worker, and vocal facilitator whose practice is rooted in disability theory and access-first creative education.
They lead the VOICING choir strand, developing graphic scores and experimental sound practices through collective making and radical inclusivity.
Gian Singh Sanghera-Warren
Dance Artist & Facilitator (London)
Gian is a movement practitioner and choreographer whose work explores queerness, community, and embodiment. A graduate of the Northern School of Contemporary Dance, Gian focuses on opening up physical practice to non-dancers and those exploring new ways of moving together.
Abby Witchalls
Movement Director & Facilitator (Paris)
Abby is a Lecoq-trained performer and movement educator working across theatre, film, and education. She brings physical theatre and ensemble-based practices to VOICING, leading trauma-aware, multilingual workshops exploring platonic touch and queer intimacy in Paris.
Elsa Pahl
Producer, Access Coordinator & Facilitator
Elsa is a theatre director and producer with experience spanning West End productions to grassroots community work. She brings deep skills in access, safeguarding, and audience engagement, with a background in youth theatre, intimacy coordination, and creative producing.
VOICING II
VOICING II is an interdisciplinary project centres queer performance and community-building through UK-based movement and choir workshops, culminating in a live performance. Sessions explore queer platonic intimacy, accessibility, and collaboration across ages. Free for all, the project removes financial barriers and fosters intergenerational queer connection through inclusive, creative expression and learning in sound, movement, and visual art.
Get Involved:
All workshops are free to attend, with access support available.
London Movement Workshops - Led by Gian Singh Sanghera-Warren
People of all ages (18+) come and join a series of free movement workshops exploring platonic touch, connection, and the queering of sensation. No dance experience needed — this is a space to move, make, reflect and share.
Working with poetry, image-making and choreography to explore how queer bodies relate in space. These sessions are trauma-informed, access-led, and focused on building intergenerational community through creative movement.
At the end of the programme, participants will be invited to:
Share in an informal internal showing
Volunteer or perform in our final production
Contribute writing or visual material to our publication
London Choral Workshops - Led by Nancy Costello
Open to everyone — no experience needed, no auditions.
Join our radically inclusive community choir, co-creating music through voice, breath, sound and silence. These workshops are grounded in disability theory and care-led facilitation, and are open to anyone with an interest in music, communication, or community.
Participants will work together to create a graphic score and sound performance. Along the way, we’ll explore rhythm, language, and alternative ways of making music, without needing to read traditional notation.
At the end of the project, you’ll be invited to:
Perform in our final production alongside dancers and collaborators
Share your voice through sound, writing, or stillness
Be part of a publication documenting our process
Paris Movement Workshops - Led by Abby Witchalls
A series of free workshops for LGBTQ+ young people and their friends (ages 16-18), exploring theatre, physical expression, and the dynamics of queer friendship.
Using Lecoq-based techniques and ensemble games, we’ll explore consent, boundaries, and the ways movement helps us understand each other. This is a safe space for trying new things, making connections, and learning how to co-create.
No experience in theatre or dance is needed — just curiosity and care.
Workshops will finish with a relaxed internal performance, participation in a publication, accreditation, and the chance to share your ideas with our London-based group.
VOICING I
The first VOICING film was a meditation on queer presence in institutional spaces. Created through workshops and conversations, it wove together fragments of movement, voice, and gesture — asking what it means to be seen, held, or understood in places that historically have not welcomed queer bodies. Visually poetic and collaboratively devised, the film set the tone for VOICING as a project rooted in reclamation, subtle resistance, and collective authorship.
Initial Voicing Choir
Formed in partnership with Euston Foodbank, the original VOICING choir brought together participants of all abilities, ages and backgrounds in a space where traditional musical expectations were left at the door. Led by Nancy Costello, the choir explored sound-making beyond melody — building graphic scores and sonic textures from breath, rhythm, gesture and shared presence. Though the first phase ended, the group continued independently, proof of its lasting creative and social impact.
Research for VOICING
A key component of VOICING I invited participants to return to spaces tied to formative experiences — churches, schools, civic buildings — and perform a simple gesture of queer platonic intimacy with a chosen companion. Whether an embrace, a repeated touch, or a shared breath, these actions reclaimed space through softness and repetition. Documented on film, each moment asked: what does it mean to inhabit the architecture of authority with tenderness, joy, or defiance?
